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CLASSIC HORROR MOVIES FOR THE SPOOKY SEASON

It always starts with the big three: Dracula, Frankenstein, and The Wolfman and all made in the 1930s.  No gore, no jump shots, no slashers.  Just a feeling of dread that overwhelms you as the movie weaves its spell.

Some of my favorite quotes from them:

Dracula – “ I don’t drink…..wine.”

Frankenstein – “It’s alive ! “

The Wolfman – “Whoever is bitten by a werewolf and lives, becomes a werewolf himself.”

Of course these classics begat more of the same, from the serious such as The Bride of Frankenstein to the comedic Abbott and Costello Meet Frankenstein.

Horror movies continued in the same vein until the 1950s when the world began to worry about nuclear fallout, pollution, and problems with the environment.   Suddenly we had disturbed The Creature from the Black Lagoon, insects were becoming enormous and deadly – Them! and Tarantula, and despite what was happening to the planet, aliens wanted to take over our bodies (Invasion of the Body Snatchers).

Personally, I am a fan of the sub-genre classic haunted house movies.  Check out the original versions of The Uninvited, House on Haunted Hill, and The Haunting.

Some of my favorites from the 1960s are Carnival of Souls, Alfred Hitchcock’s The Birds, Psycho, and Rosemary’s Baby.  The 1970s began to be more graphic in the depiction of horror but without being too graphic, my pants were still scared off by the last episode in Trilogy of Terror with the Zuni fetish doll, the original John Carpenter’s version of The Fog, and Alien (“In space, no one can hear your scream.”)

The 1960s was a transitioning decade for horror films.  Not until the late 70s and the arrival of the movies Halloween and Scream, did horror films turn into “slasher films”.  The horror was now all blood and gore, jump shots, and screaming teenagers.  Too bad.  Classic horror movies took time to build the thrills and chills.  It’s what you DON’T or CAN’T see that is far more terrifying in your head.

Since 1980 the only horror film that comes to my mind to recommend would be Tremors from 1989 because it blends humor with the scares so successfully.

What classic horror film of yours have I missed?

 

Celebrate Banned Books

Banned Books Week (September 27 – October 3, 2020) is an annual event celebrating the freedom to read. Typically held during the last week of September, it spotlights current and historical attempts to censor books in libraries and schools. It brings together the entire book community — librarians, booksellers, publishers, journalists, teachers, and readers of all types — in shared support of the freedom to seek and to express ideas, even those some consider unorthodox or unpopular. (ALA)

How did Banned Book Week Start?

Banned Books Week was launched in the 1980s, a time of increased challenges, organized protests, and the Island Trees School District v. Pico (1982) Supreme Court case, which ruled that school officials can’t ban books in libraries simply because of their content.

Banned books were showcased at the 1982 American Booksellers Association (ABA) BookExpo America trade show in Anaheim, California. At the entrance to the convention center towered large, padlocked metal cages, with some 500 challenged books stacked inside and a large overhead sign cautioning that some people considered these books dangerous.

Drawing on the success of the exhibit, ABA invited OIF Director Judith Krug to join a new initiative called Banned Books Week, along with the National Association of College Stores. The three organizations scrambled to put something together by the September show date and ended up distributing a news release and a publicity kit, hoping that with their combined membership of 50,000 people, they could continue to spark a conversation about banned books.

The initiative took off. Institutions and stores hosted read-outs, and window displays morphed into literary graveyards or mysterious collections of brown-bagged books. Major news outlets such as PBS and the New York Times covered the event, and mayors and governors issued proclamations affirming the week. (http://www.ala.org/advocacy/bbooks/banned)

Here is a small sample of some of the top Novels of the 20th Century that have been challenged, removed, banned, or burned.

Adventures of Huckleberry Finn by Mark Twain

Reason: “Coarse language, racial stereotypes and use of racial slurs.”

As I Lay Dying by William Faulkner

Reason: “profanity, offensive and obscene passages referring to abortion, and used God’s name in vain.”

 Beloved by Toni Morrison

Reason: “depicted the inappropriate topics of sex, bestiality, and racism.”

Black Boy by Richard Wright

Reason: “themes of Communism, racism and atheism.”

Brave New World by Aldous Huxley

Reason: “obscenity and vulgarity, racism, and anti-religion, anti-family, and blasphemous content.”

Brideshead Revisited by Evelyn Waugh

Reason: “Themes of homosexuality, alcoholism, infidelity.”

The Catcher in the Rye by JD Salinger

Reason: “”anti-white, profanity, sexual scenes, things concerning moral issues, excessive violence, and dealings with the occult.”

The Color Purple by Alice Walker

Reason: “Reasons: profanity, descriptions of drug abuse, sexually explicit conduct, and torture, and negative images of black men.”

Fahrenheit 451 by Ray Bradbury

Reason: “Obscene language, references to smoking and drinking, violence, and religious themes.”

The Giver by Lois Lowry

Reason: “violence, sexually explicit material, infanticide, euthanasia, occult related themes, and usage of mind control, selective breeding, and the eradication of the old and young when they are weak, feeble and of no more use.”

Go Tell It on the Mountain by James Baldwin

Reason; “recurring themes of rape, masturbation, violence, and degrading treatment of women.”

The Grapes of Wrath  by John Steinbeck

Reason: “book uses the name of God and Jesus in a “vain and profane manner along with inappropriate sexual references.”

The Great Gatsby by F. Scott Fitzgerald

Reason: “reference to drugs, sexuality, and profanity”

I Know Why the Caged Bird Sings by Maya Angelou

Reasons “homosexuality, offensive language, racism, sexually explicit, unsuited to age group”

In Cold Blood by Truman Capote

Reason: “Violence, sexual content, and obscene language.”

Invisible Man by Ralph Ellison

Reason: “profanity and images of violence and sexuality.”

To Kill a Mockingbird by Harper Lee

Reason:  profanity, contains adult themes such as sexual intercourse, rape, and incest, use of racial slurs promotes racial hatred, racial division, racial separation, and promotes white supremacy.”

The Lord of the Flies by William Golding

Reason: “profanity, sexuality, racial slurs, and excessive violence.”

Native Son by Richard Wright

Reason: “profanity, violence, explicit sexual content.”

1984 by George Orwell

Reason “Reason: pro-communism ideas, explicit sexual matter.”

Of Mice and Men by John Steinbeck

Reason: “blasphemous, offensive language, racism, violence, and sexual overtones.”

One Flew Over the Cuckoo’s Nest by Ken Kesey

Reason: “offensive and obscene passages referring to abortion and used God’s name in vain.”

Slaughterhouse-Five by Kurt Vonnegut

Reason: “depictions of torture, ethnic slurs, and negative portrayals of women.”

Their Eyes Were Watching God by Zora Neale Hurston

Reason: “profanity and sexual explicitness.”

The Witches by Roald Dahl

Reason: “Misogyny, encouraging disobedience, violence, animal cruelty, obscene language, and supernatural themes.”

For a more in-depth list visit: LibraryThing Book Awards : Radcliffe Publishing Course top 100 of the 20th Century

Did any of the books on this list surprise you?

http://www.ala.org/advocacy/bbooks/banned

Just for fun, here are a few banned book themed word searches!

New Items ~ October 2020

FICTION

All the devils are here by Louise Penny.  Chief Inspector Armand Gamache of the Surete du Quebec investigates a sinister plot in the City of Light.

Bear necessity by James Gould-Bourne.  A feel-good story about coping with grief that focuses on the love between a dad and his son and how it can lead to friendship.

Before she was Helen by Caroline Cooney.  Clemmie is a 70something, semi-retired Latin teacher, a spinster living in a somnolent Florida retirement community.  But there must be more to her.  Why else is she rattled when she learns that a cold case is coming back to life?

Cactus Jack by Brad Smith.  A 30something single woman, the untried colt she inherits, a horse crazy little girl, and their band of misfits and has-beens stick it to the establishment in the cut-throat world of horse racing.

Celine by Peter Heller.  She is nearly 70, has emphysema from years as a smoker, and she’s never too far from her oxygen tank.  She’s a blue blood and a sculptor.  She’s also a private eye in this smart, comic mystery.

Dear Ann by Bobbie Ann Mason.  A meditation on one woman’s life choices and the road she didn’t take.

Death at high tide by Hannah Dennison.  Two sisters inherit an old hotel in the remote Isles of Scilly off the coast of Cornwall and find it full of intrigue, danger, and romance.

The exiles by Christina Baker Kline.  Three young women are sent to the fledgling British penal colony of Australia in the 1840s.

Fast girls by Elise Hooper.  This celebrates three unheralded female athletes in a tale spanning three Olympiads.

The haunted lady by Mary Roberts Rinehart.  Someone’s trying to kill the head of the Fairbanks estate, and only her nurse can protect her.  A superior example of the plucky-heroine-in-an-old-dark-house school.

His and hers by Alice Feeney.  A brilliant cat-and-mouse game.  There are two sides to every story:  yours and mine, ours and theirs, his and hers.  Which means someone is always lying.

The killings at Kingfisher Hill by Sophie Hannah.  Lovers of classic whodunits will hope that the author will continue to offer her take on the great Belgian detective, Hercule Poirot.

The lions of Fifth Avenue by Fiona Davis.  When rarities disappear, a curator at the New York Public Library, who grapples with her grandmother’s legacy, uncovers new truths about her family heritage.

The lying life of adults by Elena Ferrante.  In this coming-of-age story, Giovanna seeks her true reflection in tow kindred cities.

The new American by Micheline Marcom.  The epic journey of a young Guatemalan American student, a “dreamer”, who gets deported and decides to make his way back home to California.

The new wilderness by Diane Cook.  This explores a moving mother-daughter relationship in a world ravaged by climate change and overpopulation.

One by one by Ruth Ware.  Ware does what she does best – gives us a familiar locked-door mystery setup and lets the tension and suspicion marinate until they reach fever pitch.

Payback by Mary Gordon.  A novel of lifelong reckoning between two women.  It contrasts the 1970s world of upper-class women’s education with the #MeToo era.

Royal by Danielle Steel.  In 1943, the 17 year old Princess Charlotte assumes a new identity in the country and falls in love.

Shadows in death by J.D. Robb.  Lt. Eve Dallas is about to walk into the shadows of her husband’s dangerous past….

Someone to romance by Mary Balogh.  Pitch-perfect – a riveting, fast-paced narrative.  Regency fans will be delighted.

Squeeze me by Carl Hiaasen.  A dead dowager, hungry pythons, and occupants of the winter White House shake up the Palm Beach charity ball season.

Thick as thieves by Sandra Brown.  Arden Maxwell returns home to uncover the truth about her father’s involvement in a heist that went wrong 20 years ago.

Troubled blood by Robert Galbraith.  Private detective Cormoran Strike is visiting his family in Cornwell when he is approached by a woman asking for help finding her mother, who went missing in mysterious circumstances in 1974.

NEW DVDs

A simple favor (2018) starring Anna Kendrick and Blake Lively

Q: the winged serpent (1982) starring Michael Moriarty and Candy Clark

Dead of night (1945) starring Michael Redgrave

Hester Street (1975) starring Carol Kane and Steven Keats

The private life of Henry VIII (1933) starring Charles Laughton

NEW MUSIC CDs

Rough and rowdy ways by Bob Dylan

Gaslighter by Dixie Chicks

100 hits: the best 70s album

Ultimate Grammy Collection: Classic Country

NONFICTION

The beauty of living by J. Alison Rosenblitt.  Focusing on a brief period in the life of poet E.E. Cummings, notably his WW I experiences as a POW and ambulance driver, this sheds new light.  The horrors of gas warfare, mass slaughter, and illness bring new life to the American poet’s work.

A better man by Michael Black.  A radical plea for rethinking masculinity and teaching young men to give and receive love.

Caste by Isabel Wilkerson.  The Pulitzer Prize winning journalist examines aspects of caste systems across civilizations and reveals a rigid hierarchy in America today.

The detective in the dooryard by Timothy Cotton.  Stories about the people, places and things of Maine.  There are sad stories, big events, and even the very mundane, all told from the perspective of a seasoned police officer and in the wry voice of a lifelong Mainer.

Disloyal by Michael Cohen.  An account of being on the inside of Donald Trump’s world from his former personal attorney.

The dynasty by Jeff Benedict.  The history of the New England Patriots from NFL laughingstock to making 10 trips to the Super Bowl.

Faith instinct by Nicholas Wade.  How religion evolved and why it endures.

How we live now by Bill Hayes.  A poignant and profound tribute in stories and images to a city (NYC) amidst a pandemic.  The photos serve as potent documentation of an unprecedented time.

Kent State: four dead in Ohio by Derf Backderf.  A graphic novel telling of the day America turned guns on its own children: a shocking event burned into our national memory.

A Libertarian walks into a bear by Matthew Hongoltz-Hetling.  Once upon a time, a group of libertarians got together and hatched a plan to take over an American town and completely eliminate its government in 2004.  They set their sights on Grafton, NH, a barely populated settlement with one paved road.  They overlooked one hairy detail: no one told the bears.

Looking for Miss America by Margot Mifflin.  A lively account of memorable Miss America contestants, protests, and scandals – and how the pageant, near its one hundredth anniversary, serves as an unintended indicator of feminist progress.

Mill Town by Kerri Arsenault.  The author writes of her hometown – Mexico, Maine.  This is an American story, a human predicament, and a moral wake-up call that asks:  what are we willing to tolerate and whose lives are we willing to sacrifice for our own survival?

Rage by Bob Woodward.  Interviews with firsthand sources provide details about Trump’s moves as he faced a global pandemic, economic disaster, and racial unrest.

The ultimate retirement guide for 50+ by Suze Orman.  Winning strategies to make your money last a lifetime.

What it’s like to be a bird by David Sibley.  From flying to nesting, eating to singing – what birds are doing and why.

 

Notes from Booklist, Publishers Weekly, Kirkus, Library Journal, and New York Times Book Review.